Murano,chandeliers,glass,proce DIY Murano chandeliers glass processing
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The glass used for the Murano chandeliers, the Venetian glass, issodic, as in the ancient Mediterranean tradition. This means that thesilica, which is a sand destined to become glass through fusion, isadded to the soda ash is added in order to allow the fusion at lowertemperatures. The potash, alternative to soda, typical of the Nordiccountries, creates a brilliant glass suitable for grinding andincision (such as the english lead glass), but not to the complex,typically venetian, workings Mixing of raw materials takes place inthe evening, at the end of working hours, and preparation of materiallasts throughout the night: to the two basic raw materials are addedthe stabilizer (such as calcium carbonate), the bleachings orcolorings, and, if necessary, the opacifiers. The reverberationchamber melts the raw materials at a temperature of about 1400degrees and glassmakers in the morning find the the molten material,ready for modeling. The molten glass is flexible up to a temperatureof 500 degrees.The working group is the "square", made up of servingand boys, which is coordinated by Master. The work can be alsocold-finished by expert grinders performing sanding or otherfinishes; the incision is made in figurative independentlaboratories, where highly skilled decorators works. If the forseendecoration is the enamel, the object moves in a laboratory in whichare made the painting and the annealing of the enamel.Blown glassThe invention of glass-blowing is dated in the first century BC onthe eastern coast of the Mediterranean and remains the most importantevent of the whole history of glassmaking. Especially in Venice, theglass-blowing was the preferred technique for high level glass works.The Murano masters have developed, from the Middle Ages, anextraordinary skill in hot modeling, inventing new techniques andcoming to propose shapes of major elegance and refinement. Article Tags: Murano Chandeliers
Murano,chandeliers,glass,proce