Changes,Art,Forms,This,natural entertainment Changes in Art Forms
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This naturally translated itself into the canvas artscene but not all artists today who enjoy the right to diversity wouldaccept the label of Post-Modern. It is better described as analtered mood rather than a new style. Perhaps it is always misleadingto think of styles as following each other like soldiers on parade. Itis more generally recognised that artists have the right to go theirown way. In recent years artists have taken up the medium of photography forthe creation of novel effects that has previously been the preserve ofpainters. Thus David Hockney has enjoyed using his camera for multipleimages somewhat reminiscent of Cubist paintings and abstract artsuch as Picassos picture of Violin and Grapes of 1912. His famousportrait of his mother was a mosaic of various shots taken fromslightly different angles and also records the movement of her head.One might expect such a combination to result in an incoherent jumblebut the portrait is certainly evocative. After all, when we look at aperson our eyes never stand still for any length of time and the imagewe form in our minds when we think of a person is always composite. Itis this experience which Hockney has somehow captured in hisphotographic experiments. It looks as if at the present moment, thisconciliation between the photographer and the artist will increase inimportance in years to come. To be sure, even painters of thenineteenth century made a good deal of use of photographs, but now thepractice is acknowledged and widespread in the search of novel affects.What these recent developments have brought home is that there are tides of tastes in contemporary artand abstract art no less than there are tides of fashion in clothing ordecoration. It is undeniable that many of the old masters whom weadmire and indeed many styles of the part failed to be appreciated byvery sensitive and knowledgeable critics of former generations. This iscertainly true. No critic can be entirely unbiased, but it is wrong todraw the conclusion that artistic values are altogether relative.Granted that we rarely stop to look for the objective merits of worksor styles that have failed immediately to appeal to us, this does notprove that our appreciations are entirely subjective. We can recognisemastery of art, and this has little to do with our personal likes anddislikes. You may like Raphael and dislike Rubens, or the other wayaround, but should recognise that both were towering masters in theirown right.
Changes,Art,Forms,This,natural